Contemporary Art
in Heritage Spaces (2019)
Editors: Nick Cass, Gill Park, Anna Powell. Routledge: London
Part I – Reimagining heritage
Mapping contemporary art in the heritage experience – Niki Black & Rebecca Farley
Making Cities: place, production, and (im)material heritage – Laura Breen
Gestured by Brass Art: Gestures, Ambiguity and Material Transformation at Chetham’s Library – Brass Art: Chara Lewis, Kristin Mojsiewicz, and Anneke Pettican
Part II – Alternative histories
Making the invisible visible in Capability Brown’s lost landscapes – Gill Park
A room of one’s own: strategies of feminist arts interventions – Jenna C. Ashton
Contemporary interventions and conflict: the possibilities of ‘critical historical consciousness’ as a mode of heritage production – Joanne Williams
Mapping contemporary art in the heritage experience: Mary Eleanor Bowes and The Orangery Urns – Andrew Burton
Part III – Disciplinary dialogues
Expanded interiors: bringing contemporary site-specific fine-art practice to Roman houses at Herculaneum and Pompeii – Catrin Huber
Practising history: art, archives and footnotes – Catherine Bertola & Rachel Rich
Understanding the audience experience of contemporary visual arts at Geevor Mine World Heritage Site: a dialogue between a contemporary artist and a sociologist – Gaynor Bagnall & Jill Randall
Part IV – Liminal spaces
Numinous experiences in the home of the Brontës – Nick Cass
Transactions of an artist’s placement: planning Berwick-upon-Tweed with Sander Van Raemdonck – Julie Crawshaw & Menelaos Gkartzios
Bruce Nauman at York St Mary’s: a hermeneutic enquiry into ‘the intersection’ – Anna Powell